- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
This passage appears at the beginning of Exit West and functions to not only establish Saeed and Nadia’s physical appearances, but also to suggest something about their personalities and the ways in which they comport themselves. This is especially notable in Nadia’s case, for the choices she makes regarding her everyday wardrobe ultimately send a certain message to onlookers—namely, that she is quite religious and extremely devout. Indeed, her decision to wear a “flowing black robe” is particularly meaningful because her and Saeed’s city has not yet been taken over by radical militants who eventually enforce certain dress codes. As…