- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Boy, we're told, marries someone new, but Dunstan isn't optimistic about their chances for happiness. Dunstan knows Boy pretty well at this point, and he claims that Boy is more interested in women as objects than he is in women as human beings: as far as he's concerned, women are just devices to help him toward sexual gratification.
It's important to take Ramsay's critique of Boy's sexism with a grain of salt. While Boy is in many ways the principle antagonist of the story, our impressions are filtered through the prism of Ramsay's own experiences and perceptions, to the point…