- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As the Whatsitsname’s body gradually rots away, he is forced to use new victims’ body parts as replacements. Although he believes that he is only using the flesh of innocent victims, a conversation with his assistant the Magician brings to light the fragile demarcation between innocence and criminality—or, more broadly, good and evil—in human life.
The Magician argues that everyone is capable of harboring evil intentions and of committing harmful deeds at any point of their lives. Not all harm has to take the form of armed violence: being aggressive or negligent toward one’s family or one’s neighbors can have…