- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this passage, Susanna considers the gap between the brain and the mind, and sees the two entities as “interpreters” of the information each provides the other. The more abstract mind sends impressions to the chemical-electrical brain. Insanity, Susanna argues, is when the mind overpowers the brain and one’s subjective perception overtakes reality. The mind’s “unlikely” and incredible version of reality must be mediated by the logic of the brain in order for sanity to prevail. The “problem,” then, is that the dialogue between the two can become muddled, resulting in this hazy in-between state, in which neither the abstract…