- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Fearful herself and realizing that she cannot persuade Laura to come home with her, Lizzie puts her fingers in her ears and runs away, abandoning Laura to the dangerous goblin men. With Lizzie gone, Laura is no longer restrained from indulging in her intense curiosity about the goblins’ luscious fruit and unusual, animalistic appearances. This stanza dramatizes the moment in which Laura transgresses the boundaries of acceptable behavior for women, defying her sister’s warnings that maidens should not look at goblin men. However, at this moment, when Laura becomes aligned with the cultural figure of the fallen woman who gives…