- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
After describing how he conquered Devadatta’s body and, in doing so, returned himself to his original form, Kapila admits to Padmini that his body still has experiences and senses of which he has no conscious knowledge—sensations leftover from Devadatta’s body. Devadatta feels this earlier as well when he impulsively challenges the wrestler, but Kapila’s situation is more difficult as he describes how his body remembers the intimacy that Devadatta and Padmini had shared without having the memories to match. It is this incongruity which haunts him most of all as he tries to sort through his own identity, and which…