- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
When Diana comes to Nick and Trevor’s house looking for Nick, the landlady, Helen, urges Isobel to talk with Diana on her behalf. Helen is sick of dealing with Nick’s gloomy, obsessive stalker of an ex-girlfriend. In her conversation with Diana, however, Isobel finds herself musing aloud, and saying words that obviously hurt and anger Diana. Isobel, thinking perhaps of her mother and perhaps even of herself as well as Diana, posits aloud that anyone who can’t change is as good as dead. Isobel realizes too late the cruel impact her words must have on the morose, vulnerable, unstable Diana…