- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this passage, told from Noah’s point of view, Benjamin and Dianna inform the twins that they are beginning a trial separation. The intense, unexpected emotional news inspires very different reactions in each twin—Jude becomes inquisitive and angered, while Noah, as usual, retreats into himself and attempts to use the invisible museum as a way of comprehending and processing what’s going on. He draws a “family portrait” in which he, Jude, and their parents “assume the crash position”—Noah is gearing up for all-out chaos, rage, and pain, and as the novel continues to unfold, it will become clear that his…