- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Here, Jude finally takes the plunge with the dangerous diamond circular saw—the only tool, according to Guillermo, that does not allow for second chances in rock carving. Jude uses the saw to cleave the sculpture she’s been painstakingly carving right in two. Guillermo, her mentor, is shocked by the act, and believes that Jude has taken such drastic action in order to “kill” the figures in the sculpture and annihilate them; Jude, though, having reflected on the intense and damaging codependency that once existed between her and Noah, and the ways in which that codependency caused them to resent one…
