- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In the final chapter of the novel, the narrator offers some thoughts on the unknowability of Kathy's disappearance. After 300 pages of hypotheses about what happened to Kathy, the narrator throws up his hands and admits that he has no idea what the truth is. But the narrator goes on to make a more complicated point: if we can't know what "really" happened, he argues, we might as well accept the most optimistic interpretation of the facts, provided that it's reasonable.
The narrator's rhetorical question sheds some light on the novel itself, without offering a "solution" to the mystery of…