- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Drummond summarizes his position effectively in this final statement, in which he again attacks the seemingly unassailable public persona of Brady. The "right to be wrong" is, for Drummond, paramount, because the right to be wrong is bound up in the right to think for oneself. No one would do this kind of thinking if he or she were afraid of being taken to trial for an incorrect belief.
Drummond believes, instead, that more conversation is needed between parties—and that some kind of compromise ought to be reached, wherein intolerance of all forms is quashed, and free thinking is always…