- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
During this conversation, Osborne tries to convince Stanhope to go easy on Raleigh, insisting that the young man will “go on liking” him “through everything,” despite Stanhope’s excessive drinking, bad temper, and shot nerves. “There’s something very deep, and rather fine, about hero-worship,” he says, suggesting that some relational bonds are so strong and resilient that they can withstand many changes and strains. Stanhope, however, pays no attention to his friend’s sound counsel, instead coming to the conclusion that because he is captain he shouldn’t have to worry about some “bloody little prig of a boy” like Raleigh, who he…