In this passage, David Grann visits the Osage Nation Museum in Pawhuska, Oklahoma, and is given a tour by its director, Kathryn Red Corn. When she shows Grann a panoramic photograph of the tribe alongside their white neighbors taken in 1924—a photograph from which William K. Hale, the “devil”’s, cold visage has been cropped—he realizes that though history might have forgotten the pain, trauma, and injustice of the Reign of Terror, the Osage people never have had that luxury. They have had to live with the pain and betrayal of what their white neighbors did to them every day—and the…