- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In the wake of Burkhart, Hale, and Ramsey’s convictions, Hoover is relieved to have something to show to his superiors as evidence of his methods’ success. Hoover carefully skirts around the bureau’s “earlier bungling,” and glosses over any parts of the tale which do not reflect a “pristine origin story.” Hoover knows that in order to gain—and secure—the kind of power he wants, he needs to have a bargaining chip and a way of proving his own superiority: the “success” of the bureau’s investigation of the Osage murders, despite all the loose ends left untied and the traumas left unresolved…