- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this passage, Marie asks Lipsha to conjure the love medicine. This moment reflects Marie’s Native identity and culture, but it also highlights Marie’s own internalized racism regarding that same Native identity. Like Lulu, whom Lipsha calls a “jiibay witch,” Marie is portrayed as having near magical powers, which Lipsha considers proof of her Native Chippewa identity. Still, Marie refuses to acknowledge her Native American blood. Since her racist society has deemed Marie’s Native American identity to be something less than white and something to be ashamed of, she prefers to deny her identity and pass for white.
Marie seems…