- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
When Miss Julie asks Jean if he has the money to facilitate their escape to Italy, Jean tells her that he does not. However, he believes that his personal and professional skills are adequate “capital” to succeed outside of the Count’s estate. Jean’s perspective echoes Strindberg’s theory in the preface that Jean is the true “aristocrat” as a result of his adaptability, know-how, and drive to transcend his circumstances. Although Jean’s emotional capital would serve him well in an ideal world, he is unable to escape from the Count’s estate without the physical capital to secure a train ticket. Here…