- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Clarissa continues to think about Septimus's death in relation to her own life, and here it becomes clear that Clarissa doesn't have any one, all-encompassing theory of life, one that would allow her to interpret Septimus's death in a certain way. While she has just thought about his suicide as an act of powerful communication and defiance, now she sees it as a tragedy - and one that she herself is responsible for.
Clarissa has begun to pick up on a number of potential similarities between herself and Septimus, from their concern with death to their fascination with loneliness and…