- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
This sentence reveals that Mrs. Packletide has given in to Louisa Mebbin’s blackmail, buying her the weekend cottage near Dorking that Mebbin explicitly desires. The cottage is pretty and charming, despite being claimed through deception and blackmail. Therefore it is symbolic of the female rivalry and social desires that drive the narrative. Mebbin’s decision to plant tiger-lilies in the garden and to name the cottage “Les Fauves” (translated as “The Wild Beasts” or “The Big Cats”) is a ruthless reminder of the power she holds over Mrs. Packletide. The cottage’s French name is also another example of the Edwardian tendency…