- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this passage, Park demonstrates Abigail’s ambivalence toward her surroundings. She lives in Sydney, a major cultural hub with both a complicated history and an ultra-modern, vibrant present; still, Abigail would rather shut herself up inside and nurse the “empty place” inside of herself than engage with the world around her. Abigail both wants for no one to know her, and for something to come along and make her feel whole, or complete—and these tensions will drive her character as the novel begins to unfold. Abigail does not know much about herself, though she seems to purport to. She wants…
