- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In the final pages of Ransom, Malouf explains that while Somax continues to tell the tale of his trip to the Greek camp for the rest of his life, his listeners eventually stop believing his stories. This is in part a reaction to the story's content—Somax's audience can't imagine King Priam, for instance, wading in the river like an ordinary man—but the above passage suggests that it also reflects an inherent distrust of storytellers. Throughout Ransom, Malouf has suggested that storytelling is important because of its ability to erase the lines that separate one person from another. Priam…