- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As Sadako, weak and worn down by her illness, finally comes to accept her impending death and the freedom from pain and sickness it will off her, she looks up at the ceiling and considers her hundreds and hundreds of beautiful paper cranes. The cranes are free and seem to be alive and actually flying away. Sadako is about to “fly away” from her own pain and suffering, and the cranes, though they did not heal her illness, have managed to heal her spirit and help her to accept her own death. The golden crane especially remains Sadako’s warmest touchstone…