- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this passage, Camille—already wrestling with feelings of being excluded and unwanted in her own family—stumbles upon a strange and slightly disturbing scene which nonetheless fills Camille with longing. Flynn uses this moment—in which Camille watches Adora tend to her younger half-sister Amma—to demonstrate the warped environment Adora has fostered in her house over the years and to show that in spite of having escaped a strange and potentially dangerous living situation, Camille still yearns for her mother’s love and attention. Camille and Adora have—and have always had—a toxic relationship. Yet, even as an adult woman, Camille finds herself wishing…