- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As Amma and Camille continue their walk home, Amma explains that she lashes out sometimes by “hurt[ing.]” Amma never says that she hurts herself—but given her obsession with Camille’s scars, and her fondling of them in this moment, Camille believes that Amma is referring to a self-harm practice of her own. Amma, giddy from numerous hard drugs, doesn’t allow Camille to connect with her in this somber moment—instead, she whirls off into the night, declaring that she “loves” to hurt. Amma’s macabre nature and dark tendencies have been hinted at the entire novel—now, as she outright admits that she loves…