- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this passage, Hochschild illustrates the “smaller narratives” of racism that resound in Louisianan’s lives. Hochschild sees such narratives as “disaggregated” because they do not match up to form a “unitary” whole. Many of her interviewees have a deep-set belief in racial hierarchy even though they would never consider themselves bigots or explicit racists. Most recognize the horrors of plantation slavery but do not see the ways that system endures in the present and actually label black Americans “line cutters” when they point out ongoing discrimination. They condemn the white supremacist demonstration in Charlottesville and even Donald Trump’s reaction to…