- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this surreal passage, Sula seems to die and then briefly awake from death. Almost amusingly, Sula tells herself that she needs to talk to Nel as soon as possible--she can't wait to tell her old friend about what it feels like to die.
The passage is a good example of Morrison's magical realism (see quotes above for more details). But it's also a surprising reminder that in spite of her arguments with Nel, Sula has always considered Nel her best and closest friend--even after Sula slept with Nel, and Nel came to hate Sula. The passage, therefore, is poignant…