- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
This quote occurs as Sasha is exploring their new genderqueer identity, and it is significant because it reflects their transition from Luke to Sasha. This quote also underscores the restrictions of binary thought and either/or language, and Slater’s description of Sasha’s identity as a “secret room” implies these limitations. Before finding the genderqueer community online, Sasha is confined to either a male or female gender identity, and neither of these genders fit who Sasha really is. Sasha questions their gender, and this confusion worsens when the male gender is projected onto them. The “other room” opened up to Sasha by…
