- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In Arturo’s graceful coda—the reflective ending of the novel—he ruminates on the nature of the immigrant spirit and the drives that push immigrants toward “someplace better.” He acknowledges the unique combination of longing and necessity which drove him to America, and considers whether “every immigrant” is propelled by the same kind of “instinct.” The desire to get to a new place, and to make for oneself a better life, is what Henríquez has revealed to have driven every immigrant whose story has been highlighted throughout the novel. Whether the move to America was for love, money, fame, family, or refuge…