- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
While protecting the cellist from a sniper, Arrow notices that the man sent to kill the cellist seems to be paused as if he’s listening to the cellist’s music. The cellist’s adagio awakens Arrow’s emotions, which she had ignored during the bleak and difficult days of the siege. In order to be a good sniper, Arrow had to turn herself into a weapon that could do what needed to be done to win the war without letting guilt at the blood on her hands overwhelm her. Galloway shows how the music allows Arrow to thaw a little and embrace her…