- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
These famous closing words of the manifesto remind the reader that this isn’t intended to be a work of theory or academia—the authors want their words to be a call to arms. The evocative image of the chains suggests that proletarians are in a position of enslavement, and that the only thing they have to lose in revolution is this oppressed condition. Of course, following Marx and Engels’ earlier logic, members of the proletariat are in a precarious position given that they depend on the bourgeoisie for their very survival (through wage-labor). That’s why the revolution depends upon the widespread…