- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
At the last, Gabriel’s epiphany ends up being less about love and more about death. He realizes the snow, which symbolizes mortality, is indiscriminate, just as death is universal. Everyone must die, regardless of who they are or what they accomplish in life. Furthermore, many of the dead characters in the text prove to be more important to the living characters than the other living people, and conversely, many of the living seem to be leading passionless lives like Gabriel’s, as though living in a death-like state. The snow unites the living and the dead, then, as the narration expands…