- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this passage, Mago takes her younger sister Reyna—distressed by neighborhood children’s taunts of “huerfanita,” or “orphan”—to see the place where she was born, and to soothe her with the story of her birth. Mago’s story does indeed comfort Reyna, who finds solace in hearing about an instance when her mother cared for her, looked out for her, and wanted to ensure that she was both safe and grounded. Mago also points out that Reyna and her mother are always connected. Though this claim is, at the moment, rather tenuous, Reyna latches on to even the slightest chance to remain…