- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
After Lem's soldiers bring Jones's dead body out of the woods, Smithers insults Jones's body and his superiority complex in life. Smithers, as the figure in charge of interpreting the first and last scenes for the reader or viewer, makes it clear to the audience that Jones was misguided from the start—as a black man, Jones never had any right to hold the kind of power he did on the island (per Smithers' racist logic). Further, Smithers was aware that Jones could be killed with lead bullets like any other man, which makes Smithers the only character who was aware…