- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Years have passed and Andrea visits Galileo, discovering in the process that Galileo never stopped researching. Though Brecht’s play doesn’t present the Church in a very forgiving light, Andrea’s reference to the Church here as “the enemy” (often a nickname given to Satan) is at once strong and surprising. Through continued use of the apple symbol, Galileo himself has been aligned with the Devil. But here, in the end, that title goes to the Church. Importantly, Andrea adds that Galileo was not simply right about astronomy, but also ethics: something to which the Church traditionally claims authority. This further aligns…