- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In Chapter 21, Margarita becomes a witch, having accepted Azazello’s proposition to assist Woland. Though she is not yet sure of what her duties will be, the transformation into a supernatural being shows that she is in the presence of a great power. Her flight away from her old home represents her escape from the life that she has come to resent (because of her longing for the master). In this specific moment, she has flown into the critic Latunsksy’s Massolit-provided apartment. As Latunksy was one of the master’s key critics, Margarita, who feels a deep sense of protection and…