- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
While interacting with the Raven for the first time, the narrator does a fair bit of muttering to himself as though the bird cannot hear. When, to his surprise, he hears the bird replying “Nevermore” to his side comments, he tries to interpret the anomaly with reason. Here, he presumes that “Nevermore” is something the bird might have picked up from an especially pessimistic former master, and not, as he comes to assume later, a fatalistic pronouncement signaling the end of his hopes and dreams to be reunited with his dearest Lenore. This exchange is the last of the narrator’s…