- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
After he discovers her illiteracy and visits the concentration camp, Michael is torn between his loyalty to and past relationship with Hanna, which would entail attempting to understanding her crimes, and what he feels is his moral obligation to utterly condemn her crimes. Michael’s struggle between “understanding and condemnation” is an example of the parent-child conflict involving the generation of Nazi perpetrators and that of their children. Later described as “a German fate,” this struggle is one that Michael’s peers also experience, but Michael’s guilt stems from loving and choosing to love a criminal, and thus separates him from the…