- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
A week before Hanna is about to be released, Michael visits her in prison for the first time. Though their conversation begins in a friendly manner, Michael soon tries to confront her about the horrifying secrets she kept from him while they were together. Seemingly unconcerned with her words’ effect on Michael, Hanna claims that only the dead can “call [her] to account,” as other the dead can understand her. Though Hanna recognizes that she is guilty, she implies that she cannot be held responsible by those whom she may have hurt and who are still alive (i. e. Michael)…