- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
The color TV, which Henry spends long stretches of time in front of, is upsetting for Lyman because it demonstrates his brother’s inability to cope with reality. Instead of living a functional adult life, Henry sits in front of a simulation, and sometimes he cannot even bear that—he holds on to the armrests “as if the chair itself was moving at a high speed,” or as if the chair is his only connection to reality. It is notable that Lyman wishes he had bought a black-and-white TV because it makes the images “seem older and farther away.” This suggests that…