- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
This interaction occurs between Lady Portarles and The Comtesse de Tournay at the opera, and it is important because it underscores how shallow British society is in blindly accepting Lady Blakeney’s past. The Comtesse hates Lady Blakeney because she was directly responsible for the death of the Marquis back in France, but Lady Portarles insists that Lady Blakeney’s actions don’t matter. She calls the Comtesse’s disrespect of Lady Blakeney “perverse,” but she accepts the perversity of Lady Blakeney’s actions in France. While Baroness Orczy argues that British society is superior to all others, she implies that this is one way…