- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As the group discusses Treplyov’s burgeoning writing career behind his back, they all volunteer different kinds of information. Trigorin says that though Treplyov has amassed fans in Moscow and St. Petersburg, his writing lacks perspective and direction, and never features any living characters. Dorn is supportive of Treplyov, however, and says that even if Treplyov has not yet reached his full potential, he is talented and on his way to success. When he asks Arkadina to chime in, she says dismissively that she “never [has] any time” to read her son’s work. This shows that Arkadina truly doesn’t want to…