- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In the bar after taking Sagitty to the hospital, Thornhill listens to Smasher commandeer the story of Sagitty's stabbing and make it even more horrific than the truth. When Thornhill makes this connection, he's reminded of the fact that the way in which people talk about things has the power to actually change how people experience things. For Smasher, the act of making the story more gruesome is a way for him to experience Sagitty's rescue for himself—and his knack for storytelling means that others will take it as fact. Thornhill's thoughts, which seem very detached from the emotionally charged…