- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In continuing to reflect on his epiphany about Adrian’s son, Tony is forced to reevaluate the way he’s understood Adrian and his actions for the past forty years. Adrian has always been a counter-example to Tony’s own life: Adrian was the brilliant student, the one who was happy with Veronica, and the one who carefully considered the philosophical meaning of life and, finding it unsatisfying, was courageous enough to follow through with the consequences of his conclusion. His suicide was, Tony had concluded, certainly unlike that of Robson, who killed himself once his girlfriend became pregnant. Now, however, Adrian looks…