- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
This is the moment when Watson looks inside the locked laboratory of Bartholomew Sholto, which he hasn’t left all day. Bartholomew’s face is fixed in a rictus grin, a grotesque mask of death. This speaks to the idea of the Agra treasure, rather than being a source of happiness, actually bringing misfortune to those it touches. Bartholomew’s smile is thus deeply ironic, mimicking the happiness that those who sought the treasure felt that it would represent. The uncanny image is also deeply gothic, firstly through its unsettling nature but also in its use of twin imagery—twins and doubling are a…