- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Harry comes back to the present after a flashback remembering “twenty good stories from out there” of which he had never written. Those memories of suffering, hardship, and adventure contrast sharply with his later life among the rich—people he has decided are not worth writing about. This again implies that comfort is the enemy of art or creativity. Harry also largely dismisses Helen simply because she is wealthy, and therefore, in his view, boring. Harry, and by extension Hemingway, scorns the rich, who he sees as having easy lives devoid of wider significance or meaning. Instead of living such a…