- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this appendix, added by Faulkner before a reprint of his novel was released, Faulkner clarifies some of the connections between different characters and clears away ambiguities. People seem torn on whether or not they like the appendix, and some would say that ambiguities like whether or not Quentin truly committed incest with Caddy are part of what makes Faulkner's novel great.
Nonetheless, the appendix appeared and this is the very end of it. Faulkner has gone through the Compson family's history, and arrives at the servant family, the Gibsons. Their descriptions are much shorter, and we might connect this…