- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As Helen Keller begins writing her autobiography, she feels fear, trepidation, and uncertainty. Helen was still a young woman when she composed this memoir, and the anxiety she writes about in her book’s opening lines reveals a hesitation to “lift the veil” which has shadowed her private life alongside a desire to surmount the “difficult” task of writing an autobiography. Keller addresses her readers directly in this passage, implicitly apologizing for the ways in which the years have shrouded, faded, and changed her memories, and vowing only to write about the “interesting” and important” bits of her life. As a…