- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
This quote, too, occurs as Kundera explains Sabina’s relationship to kitsch, and it is significant because it implies that Sabina is aware of the power kitsch has over her, and it also suggests that no one can, not even Sabina, can avoid the power and pull of kitsch. Here, Sabina is living with the elderly couple in America in a makeshift family unit, and the song about “two shining windows and the happy family living behind them” has just come to her mind. Sabina admits to being moved by the sentimental meaning behind the song, but she knows it is…