- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
Before leaving Eel Marsh House for good, Arthur cannot resist taking one last look into the nursery—the epicenter of the woman in black’s power and the site of so much of his own horror and despair during his stay here. Once again, Arthur tempts fate by willingly putting himself in the center of the chilling occurrences at Eel Marsh. The nursery, which had been surprisingly neat and orderly—immaculate, even—despite decades of disuse has now been ransacked. The woman in black herself is obviously behind the destruction—and the likely cause for her violent anger, which Arthur has not yet seen on…