- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this passage, Arthur Kipps—who has suspected that the hauntings he’s been subjected to during his stay at Eel Marsh House have been more or less “quirks” of the manse—realizes that the woman in black is blatantly targeting him, attempting not just to terrify him but indeed to murder him—and his little dog, too. What’s also confirmed in this passage is that the nursery is indeed the very epicenter of the woman in black’s malicious reign over the house; it is the place she most frequently occupies and the place from which she seems to draw her power. As Arthur…