- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
As she paints, Lily continues to ponder old memories, and here she turns to fantasizing about Paul and Minta’s failed marriage despite having little information about the actual event. She notes that creating these stories in one’s mind is an odd but necessary way to make sense of other people.
The description once more equates art and memory, here through a parallel clause: Lily is “tunneling” more deeply into her “picture” and simultaneously into “the past.” She asserts that both have an element of consistency across time that allows a transient moment to become permanent, and both provide sufficiently solid…