- All's Well That Ends Well
- Antony and Cleopatra
- As You Like It
- The Comedy of Errors
- Coriolanus
- Cymbeline
- Hamlet
- Henry IV, Part 1
- Henry IV, Part 2
- Henry V
- Henry VI, Part 1
- Henry VI, Part 2
- Henry VI, Part 3
- Henry VIII
- Julius Caesar
- King John
- King Lear
- Love's Labor's Lost
- A Lover's Complaint
- Macbeth
- Measure for Measure
- The Merchant of Venice
- The Merry Wives of Windsor
- A Midsummer Night's Dream
- Much Ado About Nothing
- Othello
- Pericles
- The Rape of Lucrece
- Richard II
- Richard III
- Romeo and Juliet
- Shakespeare's Sonnets
- The Taming of the Shrew
- The Tempest
- Timon of Athens
- Titus Andronicus
- Troilus and Cressida
- Twelfth Night
- The Two Gentlemen of Verona
- Venus and Adonis
- The Winter's Tale
In this passage, Joyce reveals that Angie is good with children. Rather than admiring this as a nice trait or simply being excited to learn something new about her “niece,” Marlene immediately jumps down Angie’s throat, seeking to see if Angie has thought about how this benign, unremarkable personality trait could be monetized or turned into a way to make herself of value in the workforce. Joyce replies for Angie, stating that she hasn’t “an idea in her head” about what she wants to do. This is both a criticism of Angie’s unfocused nature and a criticism of Marlene’s worldview—Angie…